
You have several choices:
- Original Artwork (Acrylic painting on canvas in 33 x 41 cm format)
- Framed canvas edition 30 x 40 cm
- Edition on A4 paper
Passage de Voûtebruine
Original Artwork
- Format 33 x 41 cm
This painting was made by the artist Pipaul. His studio is located in Colmar (68), Alsace, FRANCE.
It is a unique copy whose edges are painted, which allows to live the work without frame. However, you can frame it as you wish.
This painting is signed and countersigned by the artist.
It is accompanied by a certificate of authenticity.
The painting is sold without a frame and the image protection visible on the screen is not apparent.
Read General Terms and Conditions of Sale
Read General Terms and Conditions of Sale
Framed print on canvas
- Format 30 x 40 cm
- Frame color: Black finish
Canvas material: the frame is made of wood from responsible sources, mainly FSC certified. The canvas is designed with a mixture of cotton and polyester, with a weight of 300-350 g/m2 and a thickness of 350-400 microns.
Premium quality printing for vibrant and durable colors ensuring dynamic rendering, rigorously checked to add elegance to any space.
Sustainable wood: made from poplar wood or FSC-certified pine wood sourced locally.
Packaging: shipped in protective packaging for safe delivery.
Suspension Kit: included for easy installation.
Print on paper:
- A4 format
Archival-quality matte paper, ideal for preserving art images in a stable and durable manner over time. This paper enhances colors and has a non-reflective surface that reduces glare and reflections.
Weight: 189 g/m². Durable posters that retain their beauty for years. The colors are vibrant, which should delight art lovers.
The pigment inks used produce high-quality, long-lasting results (archival quality).
The images are vivid and precise, remaining faithful to the original work.
Here is a joyful painting that brings together imaginary creatures, each very different from the other, yet united in their eclecticism. Together, they form a kind of cheerful gathering that blends harmoniously.
All around them, there is an enveloping vegetal presence: that of the Gilded Wood, which shelters all kinds of life. We are here in a place called “Passage de Voûtebruine,” and one of the satyrs in this group seems to occupy a central place in this scene.
With a wave of his arm, he brings his companions together, suggesting that they follow him. He is the improvised leader of this nomadic march, who will lead them to other festive horizons.
Passing along this joyful path will leave them with the memory of rain on their skin.
